
WEIGHT: 66 kg
Breast: 3
1 HOUR:50$
NIGHT: +30$
Services: Role playing, Deep throating, Massage, Extreme, Fetish
A controversial film portraying prostitution in Morocco that was shunned in the Arab world has finally been shown, amid tight security, at a film festival in Tunisia. Fears of an attack by militants saw armed police and steel barriers around the cinema and each cinemagoer searched for weapons. The film, Much Loved , has provoked a storm of criticism from opponents, most of whom have yet to see it. Neither he nor the cast were ready for the firestorm it provoked after being premiered at the Cannes film festival in May.
Within days, leaked excerpts had been posted online, to a furious backlash in Morocco. In June, the film was praised at the Toronto film festival for its unflinching appraisal of the lives of women on the margins of society, but at home a pressure group filed a lawsuit against the director. Actor Yousseff El-Idrissi, who plays a rich client in the film, told of being attacked by knife-wielding thugs. This month, the star, Loubna Abidar, was attacked and beaten in Casablanca.
She posted photographs of her injuries on social media and fled to France. The Carthage film festival is one of the biggest festivals in the Arab world. Tunisia has emerged as a bastion of liberal values in a turbulent region, the last of the so-called Arab spring states to retain its democracy.
Last Tuesday, a suicide bomber in Tunis killed 12 presidential guards as they boarded a bus to go to work. The government declared a state of emergency, imposing a nightly curfew and blocking off Habib Bourguiba, the city centre boulevard that is home to many of the festival sites. The attack provoked a powerful reaction. The audience broke into applause and sang the Tunisian national anthem. Much Loved had its screening on Thursday afternoon, with cinemagoers queueing to get in three hours before the start and no sign of protests.
Political and social upheaval, war, terrorism and migration are provoking what some are calling a renaissance among Arab filmmakers. And the mood is often grim. This upsurge in creativity is all the more remarkable given that the film industry in the region is close to non-existent.